Experimental music doyen Phill Niblock has been making photographs since his 1958 arrival to New York, where he cut his teeth documenting the performances of jazz greats like Duke Ellington. A decade later, Niblock began the work for which he is best (if still under-) known: multiscreen audiovisual installations scored by drones, built around microtones generated by instruments from cello to bagpipe to saxophone. “Working Photos,” a solo exhibition at New York’s Fridman Gallery on view through Janury 5, 2020, draws on over a half-century of artmaking triangulated between photography, cinema, and sound. Below, the Experimental Intermedia director discusses composition, accessibility, and card games.
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