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photos by Laurent Orseau

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poster design by Salomé Boltoukhine & Jonas Meier

  • poster design by Salomé Boltoukhine & Jonas Meier

Lynn Cassiers started her residency at les ateliers claus 
 

 

  • lynn cassiers

Thurston Moore Group (usa), June 5th & 6th at les ateliers claus

 

 

  • Thurston Moore Group (usa), June 5th & 6th at les ateliers claus
  • Thurston Moore Group (usa), June 5th & 6th at les ateliers claus
  • Thurston Moore Group (usa), June 5th & 6th at les ateliers claus
  • Thurston Moore Group (usa), June 5th & 6th at les ateliers claus
  • program May 2019

Song You Need to Know: Guttersnipe’s Giddy Noise Explosion ‘Like My Voice Was Holothurin’

 

Guttersnipe are an ecstatic, disgusting, blown-out, body-music-and-rainbow-noise yowl duo from Leeds, England currently making the rounds on U.K. year end lists like The Wire and The Quietus. If you like your rock music frenzied, caustic and devoid of anything resembling a melody, this might be worth a blast. Drummer Tipula Confusa is a throwback to the beastly pummel of noise-punk bands like Lightning Bolt, Hella and Deerhoof, a mix of body-music brawn and brain-music freneticism. Guitarist Uroceras Gigas has an expressionist gurgle to her guitar like Sonic Youth or Pissed Jeans (though, more accurately, the wave of mid-Aughts squealing subterranean noiseniks like Sightings, Rusted Shut and Air Conditioning). Together it’s sheer chaos, spurts played with hardcore abandon by kids into Sun Ra and Beefheart and death metal, a Xenakis composition as a loft band. All six tracks on Vent have a similar groove-and-melt, so feel free to start anywhere. “Like My Voice Was Holothurin” just one example of their explosiveness.

Read the whole article HERE

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next week in residency at les ateliers claus: Lynn Cassiers
 

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The video for “Home To You” was made in Košice in collaboration with residents of Lunik IX neighbourhood. It was directed by visual artist and filmmaker Phil Collins, who had previously worked in the city in 2013. In addition to scenes filmed in this neighbourhood, the video includes a number of other significant locations, such as Blšák market, the University hospital, and a music and drama conservatory.

Košice has a large Roma community who, due to successive governmental and municipal policies, often live in slums and on isolated, dilapidated estates, such as Lunik IX. Historically, and again in recent years, Roma communities across Europe have been targets of persecution and systemic neglect, from housing and access to basic services, such as electricity and water, to employment and health. These attitudes are reflected in the hostility and casual racism of the general population.

Working closely with a number of local protagonists, Phil finds moments of dignity and joy amidst everyday hardships. He says, “In an age of discord, in which the politics of division and xenophobia — from Brexit to Trump — tears communities apart across nations and continents, it is crucial to stand in solidarity everywhere with those subjected to routine discrimination and denied a sense of belonging. With its invocation of yearning, absence and loss, Cate’s hypnotic canon expresses this conviction with the lithe, acute awareness found in the best of critical pop, and speaks to its moment just like ‘Ghost Town’ or ‘Private Armies’ spoke to theirs.” “Home To You” video was co-produced with Kino Úsmev. 

Proceeds from a number of events surrounding the release of Cate Le Bon’s album will be donated to Kino Úsmev's new educational initiative aimed at establishing connections between young people from Lunik IX and other parts of the city through filmmaking workshops, practical production and public presentation of resulting works.

Christophe Clébard at Knotwilg festival , picture by Manuel von Rahden

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